Bill Murray is considered by many of his fans to be "the coolest man in the world". But how is it that this actor, who for a long time did little more than a few weird performances with strangers and crazy improvisations on TV shows, is now better known than many of his fellow actors with far more impressive filmographies? Although the film "Groundhog Day" was published a quarter of a century ago, the cult surrounding the American improvisational talent has never died down and is now becoming almost irrational. The documentary, peppered with interviews from companions and confidants, follows in Murray's footsteps and tries to fathom where the unique fascination for this man comes from. Starting with the theater in his hometown of Chicago, to the TV shows of the satirical magazine "National Lampoon" and the legendary comedy show "Saturday Night Live" to his checkered film career.

The Fantastic Mr. Fox, bored with his current life, plans a heist against the three local farmers. The farmers, tired of sharing their chickens with the sly fox, seek revenge against him and his family.

该剧讲述了生命即将结束的人气电视剧编剧李素惠与顶级明星柳海成相遇后发生的浪漫搞笑、惊心动魄的喜剧爱情故事。

Follow James and Oliver Phelps on their extraordinary exploits as they meet spellbinding guests, explore enchanting cities, and take on phenomenal challenges…while managing all kinds of mischief along the way. From Ireland to Iceland, and Czechia to the Caribbean, join James and Oliver on an astonishing adventure like no other, as they charm their way from one shenanigan to the next.

Future Fantastic was a British documentary television series which premiered in 1996. This show looked at the how science and science fiction complement each other, and how ideas and technologies from the past are helping to shape our future. The series was narrated by Gillian Anderson and co-produced by the British Broadcasting Corporation, The Learning Channel and Pro Sieben.

It has been one hundred years since the first movie theatre was built in Korea. Today it is not just a place for the sake of art but a part of our daily lives. This is an omnibus film of three shorts, which the stories are involved with the 'special but friendly'space. The Famished is a sad fantasy of a man eating his memory for his hunger. Ten Million is a bloody thriller about living as a filmmaker in Korea, and The Loneliness of Butcher Boy is about the relationship between holiness and violation

Four young outsiders teleport to a dangerous universe, which alters their physical form in shocking ways. Their lives irrevocably upended, the team must learn to harness their daunting new abilities and work together to save Earth from a former friend turned enemy.

The European culture channel ARTE has recently dedicated a number of segments to the American saxophonist David Murray, one of the most interesting and spectacular artists of this instrument today. The cycle started with the documentary 'David Murray: I'm a Jazzman' written by Jacques Denis and Jacques Goldstein, and directed by Goldstein. It continued with two concerts of Murray recorded in the recent years - the first with Cassandra Wilson and the Black Saint Quartet at the Jazz a Vienne Festival and the second with the Gwo-Ka Masters group of percussionists from Guadeloupe. 　　Goldstein's film is based on an extended interview-confession with the artist. It is of course by listening to the music that we do understand best a musician. Yet I wish we can hear more such testimonies from artists speaking about their lives, their influences, and the way they relate to their art. Listening to Murray we have the opportunity to know the man and the biography and understand better where his music is coming from. We meet a man who is sincere and true in what he does, who explores not only musical territories but also his own self. We meet an artist who tries to make music that is representative to his times and reflects the influences of the world around as well as his personal background. 　　Born in Auckland California, Murray was influenced by a combination of tradition and social revolution. He attended church, and a precious film fragment from his personal archives shows him accompanying a group of women singing gospels in church, but at the same time his father was close to the Black Panthers movement and their protest ideas. When he took the trip in New York, mandatory to almost any American jazz artist, it was at the time of the pick of the Loft Jazz trend, and his principal influences became Archie Shepp and Albert Ayler. He borrowed the style of the later, and the long circular breathing phrases became a print of his own personal style. After more than two decades of activity in New York, Murray took a trip to Europe about which he speaks largely in the film. It is here that he has the time to reflect on his own origins and discovers the need to go back to the roots of the African music. The story of his meeting with the work and biography of the Russian poet Pushkin who also had African ascendancy in his blood is interesting by itself, as is the music he composed on this occasion. 　　Best words about David Murray in this documentary are being said by jazz journalist Stanley Crouch. He describes Murray as one of these artists who are capable to combine in their music the flame of passion of the primitives with the relaxation of the sophisticated instrumentalists who master their means. The documentary is an open invitation to cross the gate of knowing better the man and his art.

Though Mi Soo received treatment for her brain tumor three years ago, it’s back. Soon, she becomes a terminally ill patient. After her parents divorced, her mother remarried and her father passed away from a car accident. Her aunt raised her, but they’re on bad terms. She’s single and without any close friends, so there’s no one to arrange a funeral for her. Mi Soo decides to find someone who can make arrangements after her death. She runs into Dong Soo who becomes obsessed with her, constantly following her everywhere she goes like a stalker. Ten years ago, Dong Soo fell hard for Mi Soo but now has miraculously crossed paths with her again.

Jason, a 30-something gay firefighter who dreams of becoming a professional ballroom dancer. Set in the vibrant heart of the British seaside town of Blackpool, Jason battles the rigid traditions of the ballroom world under the close watch of his ultra-traditional instructor Reynolds. While embarking on a journey of self-discovery, he is learning to listen to his heart before he can truly dance to its rhythm.